Tag Archive: Catholic


Mother Mary

My own novelization of Let It Be might center on Paul, John and Yoko and the triangle of love/hate there, but that certainly wasn’t the only thing going on. Over the course of Beatles history, what commonly happened was John and Paul getting all the attention, both because of their individual brilliance and their feud. Because of that, George and Ringo get pushed to the side. Ringo seemed fine with that, but it had to be a disappointing thing for George.

He did actually have contributions to make, and he made them. Sgt. Pepper would have been very different (and not even close to as great) had “Within You Without You” not been there; it’s the peaceful eye that the storm of the album revolves around. Likewise, Let It Be would be incomplete without a word (or two) from George.

The first is “I Me Mine.” The popular theory is that George wrote it about Paul’s increasing control over the Beatles, and his troubling obsession with himself. The second is “For You Blue,” a bluesy ditty that’s both simple and beautiful. The whole thing follows the I-IV-V pattern, commonly called a twelve bar blues. George wrote it for his wife Patty Boyd.

Patty Boyd w/ George

If you wanna talk about love triangles, there’s one that’s even better than the Paul/John/Yoko one, and that’s George/Patty/Eric.  George Harrison and Eric Clapton were best friends; Eric played lead guitar on “While My Guitar Gently Weeps” in ’68, and George played rhythm guitar on Cream’s “Badge” in ’69, co-writing the song with Eric. Patty, in the course of time, was married to both of them. At the time that “For You Blue” was released, George and Patty had been married for 4 years, and Eric was desperately, pathetically and devastatingly in love with Patty. This produced the album Layla & Other Assorted Love Songs from Derek & the Dominos later in the year. I’ll talk more about the Patty Chronicle when I cover Layla.

Right smack in the middle of the album, there what I think would have been a very fitting closing song to both the album and the Beatles’ career in general. The song “Let It Be” is gentle and melancholy. The lyrics speak of letting things go and moving on with a smile, and learning what you can from experiences. On Let It Be… Naked, Paul resequenced the album, and put the title song last.

My mom hates “Let It Be.” The mention of “Mother Mary” and the fact that she “comes” to the listener (as if in a dream), is something she finds laughable and ridiculous. Personally, I tend to agree with her about Mary. I don’t want to speak ill of Catholic traditions, since Catholicism is something I respect deeply, but I’ve never understood the deification and worship of Mary. The Bible warns up down and sideways against idol worship – it didn’t work out too well for the Israelites in Exodus, for instance. As far as I understand it (and any Catholic can feel free to correct me), the logic is that since Jesus is sinless, his mother must also be sinless, thus Mary is of equal standing to Jesus, and is worshipped. The problem I see with that is that Mary’s mother must also be sinless, and her mother, and HER mother, and so on. How many sinless people can there BE, for crying out loud??

Anyway, if “Mother Mary” actually referred to the mother of Jesus, I would agree with my mom; but it doesn’t.  Paul wrote “Mother Mary” to mean his mother, whose name was actually Mary. He must have thought the double meaning was pretty cool, but John didn’t. He thought the Christian overtones and the obviousness of them to be beneath the Beatles. He did two things about it. First, he recorded a snippet of him saying in a mocking voice “and now we’d like to do ‘Hark, the Angles Come!’” just before the recording of “Let It Be,” and made sure it got on the album. Second, he also made sure “Maggie Mae” got on the album, too, and immediately followed “Let It Be.” “Maggie Mae” is a traditional piece, the unofficial anthem of the Beatles’ hometown, Liverpool. The central character in the song is a prostitute who steals from her johns.

For the Beatles, the end really came earlier, and was signaled by the song “The End,” the penultimate track on Abbey Road. It may have come out 7 months before what was arguably their “last” album,” but the material on Abbey Road was recorded after all the stuff on Let It Be. So in reality, Abbey Road is their “last” album; Let It Be is merely a look back. However, that look back is quite the look.

Farewell, Beatles; you served us well.

Black Sabbath – Black Sabbath – 2/13/1970

The evil mojo needs to be taken out of Black Sabbath; after doing that, you discover that they didn’t really have any to begin with. They started out the same exact way that countless other bands did. There was no demonic ritual that they used to bless their origin; the four members were not birthed from the mouth of hell. In fact, they weren’t even called Black Sabbath at their genesis.

Tony Iommi was a teenager had dreams of getting out of economically depressed Birmingham, England and starting a band. He recruited several other musicians to play with him, and it’s really that simple. The lynchpin came when they were auditioning lead singers and Ozzy Osbourne showed up with his own PA system, something the band needed. From there, they were off and running, complete with the name Polka Tulk. They must have realized that name was just bloody awful, so they redubbed themselves Earth. They soon discovered that there was another band with the same name, and they had to make a change. They went with Black Sabbath, the name of a famous Boris Karloff horror film from 1963. The name was a suggestion from their bass player, Geezer Butler.

Geezer can lay claim to Black Sabbath’s long association with darkness and Lucifer and all that foolishness; he wrote most of the band’s lyrics throughout most of their career.  He was very Catholic, so he identified with all that gothic, religious iconography, as well as Satan being a powerful, epic being. His conception of Satan was probably a little skewed, as everyone’s is. And like a lot of teenagers who are denied something, he got curious.

In truth, Geezer’s – and consequentially the band’s – early preoccupation with the devil loomed large on their first album, the eponymous Black Sabbath. Their understanding of the Prince of the Power of the Air, however, was childish and immature. This isn’t really a bad thing, ‘cause it worked for them and created groovy music. But I can’t help but give just a little chuckle when they mention Satan because they’re just so earnest about it. They’re like 6-year-olds dressing up in their dad’s clothes with his briefcase and trench coat, saying things like “I’m off to work, dear!” As upset as they would be about me thinking this, it’s just so cute.

Black Sabbath begins on an ominous and doom-heavy note, with just the sound of falling rain. A church bell chimes somewhere off in the distance. And then, heaviness beyond heaviness with the first track, which is also called “Black Sabbath.” The opening strains are tonic, then octave, then diminished fifth. Diabolus in musica. It’s also slow, deep, loud, and accompanied by frenzied drumming.

The lyrics are about a true life experience Geezer had. Ozzy had given him a book about witchcraft as a gift, and one night he awoke from a nightmare to see a dark figure whose face was obscured sitting in the chair across from his bed. The figure vanished soon after, and when he got up the next morning, the book Ozzy gave him was gone from the table in his bedroom where he had left it. Embellishment was multiplied a hundred times, ending with a song.

If you ask me, it was probably something as stupid as another band member stealing the book while Geezer was sleeping and never telling anyone. And after the song was recorded and they had become famous, they simply couldn’t let the myth die.

There is one other song on the album dealing specifically with Satan, “N.I.B.” The origin of the name is kind of silly: Geezer thought drummer Bill Ward’s goatee (now called a soulpatch) resembled a pen nib. He took a song he had already written that didn’t have a title and called it “Nib.” To add some ambiguity to the name (since it had nothing to do with the lyrics), he changed it to “N.I.B.” to make it look like initials. As soon as some dumb kid got his hands on the suggestion that Black Sabbath were into devil worship and anti-Christianity, it was over. That kid suggested that “N.I.B.” might stand for “nativity in black,” and because of the image Black Sabbath had created for themselves, they weren’t in a position to argue. Their fans wouldn’t have listened anyway, since they were so obsessed with the band being “evil.” After they became legends, Black Sabbath’s two tribute albums, contributed to by some big names in heavy metal, were both titled Nativity In Black.

As for the lyrics, they’re a first-person account of Lucifer (called by name) declaring his love for a human. It’s generally thought to be Lucifer using his deceptive, lying ways to seduce a young girl into Satan worship. Geezer tells a different story, and says it’s about Lucifer having genuine love for this girl, casting off his devilish ways, and becoming a “good person.” I think Lucifer (the real Lucifer) might have seduced Geezer into writing this song about him with those intentions. If that’s the case, though, everyone saw right through it; Geezer botched the job.

Friday: did Tony Iommi chop off his first two fingers in a Satanic rite? You be the judge… 😉